Church of St John the Baptist

Nestled in the heart of Frome, Somerset, the Church of St John the Baptist stands as a testament to centuries of history, faith, and architectural splendor. This Grade II* listed building not only serves as a place of worship but also as a beacon of the town's rich heritage and community spirit.

The Historical Tapestry of St John the Baptist

The origins of the Church of St John the Baptist trace back to around 685 AD, when Aldhelm founded the first church on this site. This initial structure, likely made of timber, was a beacon of early Christian mission in the dense woodlands of Selwood Forest. By the late 12th century, the original building had given way to a more substantial stone church, reflecting the growth and permanence of the Christian community in Frome.

Throughout the centuries, the church underwent numerous expansions and renovations. Significant additions in the 14th and 15th centuries included the establishment of chantry chapels dedicated to St Andrew, St Nicholas, and Our Lady. These chapels not only enhanced the church's spiritual offerings but also its architectural footprint, culminating in a major extension around 1420 that shaped the church's current layout.

The 17th century brought turmoil and neglect, particularly during the English Civil War when Puritan forces ordered the removal of stained glass windows. By the early 19th century, the church was in dire need of restoration. Enter William James Early Bennett, a controversial yet visionary priest appointed as vicar in 1852. Bennett's tenure marked a period of profound transformation, both in the church's physical structure and its role within the community.

The Bennett Era and Architectural Renaissance

William James Early Bennett, a prominent figure of the Oxford Movement, spearheaded extensive restoration efforts in the mid-19th century. His work, in collaboration with architect Charles Edmund Giles, breathed new life into the church. The restoration included the installation of stunning stained glass windows by Charles Eamer Kempe and intricate statuary by James Forsyth.

Bennett's impact extended beyond the church's walls. He abolished the system of pew privilege, ensuring that all parishioners, regardless of wealth, could find a place in the church. He also divided the parish into twelve districts, each with its own schools, classes, and charitable institutions, fostering a sense of community and support among Frome's residents.

One of the most striking features added during this period is the Via Crucis (Way of the Cross). This stone-sculptured pathway, depicting seven scenes from the Stations of the Cross, is unique in the Anglican Church in England. Carved by James Forsyth, these evocative tableaux guide visitors on a spiritual journey up the steps towards the church, culminating in the dramatic portrayal of Christ's crucifixion on the gable of the north porch.

Architectural Marvels and Sacred Spaces

The Church of St John the Baptist boasts a rich tapestry of architectural styles and sacred spaces. The chancel, Lady Chapel, and baptistery are adorned with intricate sculptures and vibrant stained glass, creating an atmosphere of reverence and beauty. Fragments of Norman architecture, including carved stones at the base of the tower and parts of the arch into the Lady Chapel, offer glimpses into the church's ancient past.

The font, a significant element of the church's history, was recovered from beneath the floor at the west end of the church in the 19th century. It now resides in the Chapel of St Nicholas, surrounded by a pavement depicting the seven virtues and seven deadly sins, crafted by Clayton & Bell. This symbolic arrangement invites reflection on moral and spiritual themes central to the Christian faith.

Other notable features include the brass gates to the chancel and a forged metal screen to the Lady Chapel, both locally manufactured by John Webb Singer. The church also houses a fine brass lectern and candlesticks, further enhancing its liturgical and aesthetic appeal.

A Sacred Spring and Memorials

Adjacent to the northern corner of the churchyard, a holy well fed by a spring from Gentle Street adds a touch of natural sanctity to the site. Each May, this well becomes the focal point for well dressing ceremonies, a tradition that celebrates the life-giving properties of water and the blessings it brings to the community.

Outside the east end of the church lies the tomb of Thomas Ken, a revered English cleric and hymnologist. Ken's empty grave and coffin symbolize his refusal to take the oath of Indulgence in 1689, an act of defiance that led to his deprivation of the See of Bath and Wells. He is commemorated with a Lesser Festival on June 8th in the Church of England and a feast day on March 20th in the Episcopal Church (USA).

The Majestic Pipe Organ

The church's musical heritage is embodied in its magnificent three-manual pipe organ. With origins dating back to circa 1680 by Renatus Harris, and later enhancements by Young, Richard Seede, and Vowles, this instrument has accompanied countless services and ceremonies. A significant rebuild by Hill, Norman, and Beard in 1923 ensured that the organ continues to inspire and uplift worshippers and visitors alike.

The Church of St John the Baptist in Frome is more than a historical monument; it is a living testament to the enduring power of faith, community, and artistic expression. Its walls and windows, sculptures and sacred spaces, all tell stories of devotion, resilience, and transformation. A visit to this remarkable church is not just a journey through time but an invitation to experience the profound spiritual and cultural legacy of Frome.