Nestled in the charming town of Gräfelfing, Bavaria, the Kirche, officially known as Baudenkmal D-1-84-120-29, stands as a testament to centuries of architectural evolution and religious devotion. This captivating church, dedicated to St. Stephen, invites visitors to explore its rich history, artistic treasures, and serene surroundings.
The origins of the Kirche trace back to the early 9th century, when a wooden structure was first mentioned in a document from 802. By 1206, the parish of Gräfelfing had been established, marking a significant milestone in the church’s history. Over the centuries, the church evolved from its Romanesque roots, incorporating Gothic and Baroque elements that reflect the changing architectural styles and religious practices of the region.
In the late 15th century, under the guidance of Pastor Ludwig Pirmater, the Kirche underwent significant expansion. This included the enlargement of the nave and the construction of the choir and bell tower. By the 18th century, further Baroque modifications were made, including the addition of a sacristy and the extension of the nave, giving the Kirche its current form.
The Kirche’s exterior is a harmonious blend of historical styles. The unadorned bell tower, topped with a saddle roof, is punctuated by coupled sound arcades, lending it a distinctive Gothic character. A simple pointed arch window on the west side adds to its medieval charm. The choir is adorned with a quatrefoil frieze, a testament to the intricate craftsmanship of the era.
Inside, the Kirche boasts a single-nave design with a flat barrel vault ceiling. The choir, with its star-ribbed vault, offers a striking contrast, drawing the eye upward. The western end of the nave features an elegantly carved gallery, its balustrade adorned with early 16th-century woodwork, showcasing the artistry of the period.
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The Kirche’s interior is a showcase of Baroque artistry. The high altar, crafted by Johann Pöllandt around 1691, is a visual feast. At its center, St. Stephen kneels beneath the Holy Trinity, surrounded by cherubic figures. Flanking the altar are statues of Mary Magdalene and St. Catherine, each rendered with exquisite detail.
The side altars, dating from the late 17th century, feature paintings from the early 20th century. The northern altar depicts the martyrdom of St. Sebastian, while the southern altar illustrates the Presentation of Mary. Above, paintings of St. Ignatius of Loyola and St. Joseph, created by Johann Nepomuk Schöpf in 1794, add a touch of historical depth.
Other notable features include a Rococo Madonna with Child, a 16th-century chancel cross, and a late Gothic baptismal font crafted from red marble. The stained glass windows in the choir, installed in 1902, depict the Transfiguration and the Nativity, casting colorful light across the sacred space.
The Kirche’s organ, built by Günter Ismayr in 1979 and modified by Christoph Kaps in 1987, is a musical masterpiece. With seven registers, a manual, and pedal, it fills the church with resonant sound, enhancing the spiritual experience of visitors and congregants alike.
In front of the Kirche, the wooden sculpture Mercy by Franz Hämmerle stands as a modern artistic complement to the historical setting. Installed during the Faith, Love, Hope exhibition in 2018, it invites contemplation and reflection.
In conclusion, the Kirche in Gräfelfing is not merely a building; it is a living chronicle of faith, art, and history. Its walls echo with stories of the past, while its art and architecture continue to inspire awe and reverence. A visit to this remarkable church offers a journey through time, inviting all who enter to explore the rich tapestry of Bavarian heritage.
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