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Obelisk
Kassel

Obelisk Kassel

Obelisk

In the heart of Kassel, Germany, stands a striking monument that has become a symbol of compassion and humanity. The Obelisk, designed by Nigerian-American artist Olu Oguibe, was initially erected for the documenta 14 art exhibition in 2017. Its presence on the Treppenstraße is not just a testament to modern art but a beacon of universal values that resonate deeply within the community and beyond.

The History and Significance of the Obelisk

The Obelisk, also known as Das Fremdlinge und Flüchtlinge Monument, is a towering structure that reaches 16.20 meters into the sky. It bears an inscription in four languages: Arabic, German, English, and Turkish. The phrase, I was a stranger and you took me in, is a poignant excerpt from the Gospel of Matthew (Mt 25:35), encapsulating a message of acceptance and refuge.

This piece was conceived during a time of global discourse on migration and refuge. It serves as a reminder of the enduring principles of kindness and hospitality towards those who are displaced or in need. The choice of languages reflects Kassel's multicultural fabric, making the message accessible to many of its residents and visitors.

Exploring the Obelisk

Visitors to the Obelisk are often struck by its minimalist yet powerful design. The sleek lines and towering presence of the structure create a sense of awe. As you stand before it, the inscriptions invite reflection on the themes of migration and hospitality, encouraging a dialogue that transcends cultural and linguistic barriers.

Originally located at Königsplatz, the Obelisk's current position on the Treppenstraße was chosen after much deliberation. This relocation was part of ongoing discussions about the monument's role and place within the cityscape. The Treppenstraße, a bustling pedestrian area, provides a fitting backdrop for a piece that calls for community engagement and contemplation.

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Olu Oguibe's Vision

Olu Oguibe's work is known for its deep engagement with social and political themes. With the Obelisk, he aimed to create a universal message that challenges viewers to reconsider their attitudes towards strangers and those in need. The biblical reference was chosen to resonate with a broad audience, particularly in light of contemporary debates on immigration and asylum.

Oguibe's intention was not only to inspire but to provoke thought and conversation, making the Obelisk a living piece of art that interacts with its environment and the people who encounter it.

The Controversy and Legacy

Like many public artworks, the Obelisk has been at the center of both admiration and controversy. While it received the prestigious Arnold-Bode-Preis from the city of Kassel, it also faced criticism from some quarters. Debates over its aesthetic and political implications sparked a broader conversation about the role of art in public spaces.

Despite the controversies, the Obelisk remains a cherished part of Kassel's cultural landscape. Efforts to secure its permanent place in the city were supported by a public fundraising campaign, demonstrating the community's commitment to preserving this symbol of inclusivity and empathy.

Visiting the Obelisk

For those planning a visit to Kassel, the Obelisk is a must-see. Its central location makes it easily accessible, and it offers a unique opportunity to engage with contemporary art that speaks to global issues. As you stand before it, take a moment to ponder its message and consider how it applies to the world today.

The Obelisk is more than just a monument; it is a call to action, urging us to embrace the stranger and extend a hand of friendship to those in need. In a world that often feels divided, it stands as a powerful reminder of our shared humanity and the simple yet profound impact of kindness.

In conclusion, the Obelisk in Kassel is a remarkable piece of public art that continues to inspire and challenge. Its message of welcome and compassion is as relevant today as it was when it was first conceived, making it an enduring symbol of hope and unity in the heart of the city.

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