St. Annakirche Opfikon, known locally as St. Annakirche, stands as a beacon of spiritual and architectural significance in the charming town of Opfikon, Switzerland. Nestled near the bustling city of Zurich and in proximity to the Zurich Airport, this Roman Catholic parish church is a serene escape that invites visitors to explore its rich history and unique design.
The story of St. Annakirche Opfikon begins in 1948 when the parish of Maria Lourdes in Zurich-Seebach acquired land in the heart of Glattbrugg for the future church. The foundation stone was laid on October 30, 1955, thanks to generous donations and fundraising efforts. Designed by architect Kopf from St. Gallen, the church was constructed between 1955 and 1956 and consecrated by Bishop Christian Caminada on October 28, 1956, in honor of St. Anna. It wasn't long before Opfikon-Glattbrugg was recognized as an independent parish on December 16, 1956.
In 1971, the parish came under the care of the Oratorium des hl. Philipp Neri community. The church underwent significant renovations in 1981-1982, spearheaded by Zurich architect Rudolf Mathys, to mitigate the noise from the nearby Zurich Airport. This renovation included an innovative interior redesign and soundproofing enhancements, culminating in a re-consecration by Bishop Johannes Vonderach on June 6, 1982.
The architectural charm of St. Annakirche Opfikon is evident in its striking design. The church's roof extends low, giving the structure an inviting presence. Access to the church is now through a tranquil courtyard shared with the parish center, a change made during the 1981-1982 renovations.
The freestanding bell tower, a notable feature along Walisellerstrasse, houses four bells cast by the H. Rüetschi bell foundry in Aarau. This tower, with its classic design, hints at the church's storied past while complementing its modern interior.
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Inside, the church's design emphasizes community and worship. The pentagonal layout focuses the pews around the altar, embodying the concept of a communal meal between the clergy and congregation. The 1981-1982 renovations introduced a second internal roof supported by columns and beams, ingeniously designed to absorb aircraft noise.
The original stained-glass windows from 1956 adorn the southwest wall, now protected by soundproof glass. This change not only preserves the beauty of the windows but also enhances the worship experience by minimizing external distractions.
At the heart of St. Annakirche Opfikon is the glass tabernacle, prominently visible from all angles within the church and chapel. This sacred centerpiece is flanked by a Menora, which also serves as the Eternal Light, both designed by former pastor Hans Schwegler.
The church also features a unique baptismal font, altar, ambo, and tabernacle, all adorned with a braided band motif. This design element links the church to its Jewish heritage and its connection to the Diocese of Chur.
A Romanesque crucifix on the rear wall, alongside a memorial listing the parish's deceased members, underscores the community's enduring bonds.
The church's most striking artistic feature is the winged altarpiece by Polish artist Jan January Janczak. Created in 1982, this triptych blends medieval traditions with modern artistry, depicting themes from the salvation history.
The chapel, tucked behind the tabernacle, invites quiet reflection. It houses a prayer niche with a narrow stained-glass window by Janczak and a wooden sculpture of St. Anna from the 18th century, emphasizing the church's dedication to its patron saint.
The church's organ, crafted in 1971 by Gebrüder Späth, boasts 24 registers across two manuals and a pedal. This instrument enriches the church's musical offerings, enhancing services and events with its resonant tones.
St. Annakirche Opfikon is more than a place of worship; it's a testament to the community's resilience and creativity. Its walls echo with stories of faith and innovation, making it a must-visit for anyone exploring the cultural tapestry of Opfikon and the greater Zurich area.
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